Loominality, performative installation, 2017 - 2020
carved rock crystal, forged steel sculpture, hand fabricated wood constructions, large amount of paint, fluorescent tube, cables
Loominality, 表演性裝置, 2017 - 2020,
手工研磨水晶, 鍛鐵雕塑, 建構木作, 很多的漆, 日光燈管, 電線
*special thanks to:
• Exhibition funding supported by Birkenfeld District, Rhineland-Palatinate
• Art Affect: Kornelia Doll and Dennis Doll
• Hochschule Trier – Idar-Oberstein campus, department of gemstone and jewellery: Prof. Ute Eitzenhöfer, Winfried Juchem and Wolfgang Rogoll
• Estonian Academy of Arts, department of Jewellery and Blacksmithing: Fred Truus
• Wood Constructions: Wolfgang Rogoll
• Music: CEVO
• Choreography: Vendula Fabiánová, Jiun-You OU, Anna Storck, Alejandra Campos Taylor
• Performers: Vendula Fabiánová, Anna Storck, Alejandra Campos Taylor and Pei Wu
• Setup: Anna Storck, Qi Wang, Xihan Zhai (dismantling: Anna Storck, Julia Wild)
• Text editing and translation: Franziska Lusser
• Video: Mike
carved rock crystal, forged steel sculpture, hand fabricated wood constructions, large amount of paint, fluorescent tube, cables
Loominality, 表演性裝置, 2017 - 2020,
手工研磨水晶, 鍛鐵雕塑, 建構木作, 很多的漆, 日光燈管, 電線
*special thanks to:
• Exhibition funding supported by Birkenfeld District, Rhineland-Palatinate
• Art Affect: Kornelia Doll and Dennis Doll
• Hochschule Trier – Idar-Oberstein campus, department of gemstone and jewellery: Prof. Ute Eitzenhöfer, Winfried Juchem and Wolfgang Rogoll
• Estonian Academy of Arts, department of Jewellery and Blacksmithing: Fred Truus
• Wood Constructions: Wolfgang Rogoll
• Music: CEVO
• Choreography: Vendula Fabiánová, Jiun-You OU, Anna Storck, Alejandra Campos Taylor
• Performers: Vendula Fabiánová, Anna Storck, Alejandra Campos Taylor and Pei Wu
• Setup: Anna Storck, Qi Wang, Xihan Zhai (dismantling: Anna Storck, Julia Wild)
• Text editing and translation: Franziska Lusser
• Video: Mike
My Sweetest Dollhouse, installation, 2019 - 2020
carved rock crystal objects, forged steel objects, living plants, fruit skin, dead bird body, wood construction, candle, flame
My Sweetest Dollhouse, 裝置, 2019 - 2020,
手工研磨水晶物件, 鍛鐵物件, 蝴蝶蘭, 檸檬皮, 鳥屍, 建構木作, 蠟燭, 火焰
carved rock crystal objects, forged steel objects, living plants, fruit skin, dead bird body, wood construction, candle, flame
My Sweetest Dollhouse, 裝置, 2019 - 2020,
手工研磨水晶物件, 鍛鐵物件, 蝴蝶蘭, 檸檬皮, 鳥屍, 建構木作, 蠟燭, 火焰
Untitled, installation, 2016- 2018
carved rock crystal objects, forged steel sculpture, moving images and (spiritual) photograph
無題, 裝置, 2016- 2018,
手工研磨水晶物件, 鍛鐵雕塑, 動態影像, (超)自然攝影
carved rock crystal objects, forged steel sculpture, moving images and (spiritual) photograph
無題, 裝置, 2016- 2018,
手工研磨水晶物件, 鍛鐵雕塑, 動態影像, (超)自然攝影
Water Position (Limb & Chip), objects, 2017 - 2020
carved rock crystal
水的位置(碎肢與碎片), 物件, 2017 - 2020, 手工研磨水晶
*special thanks to: Rohedelsteine Günter Bohrer
carved rock crystal
水的位置(碎肢與碎片), 物件, 2017 - 2020, 手工研磨水晶
*special thanks to: Rohedelsteine Günter Bohrer
the circle of broken trees, objects, 2017 - 2020, carved rock crystal
the circle of broken trees, 物件, 2017 - 2020, 手工研磨水晶
the circle of broken trees, 物件, 2017 - 2020, 手工研磨水晶
Blue Velvet and Rock Crystal, 2023
藍絲絨與水晶, 2023
Transit (18): "phrases in a poem" with Maja Bojanić, nathan c'ha, Elisabeth Gritsch.
The small slope in the space resonates my working patterns in a way, a kind of Sisyphean style. By borrowing the metaphor from Blaustunden that I usually adopt in my work – an overlapped time and space with certain liminal connotations, I would like to set a symbolic scene regarding self-punishment toward some shinning but uncatchable desires. Sometimes I just enjoy how productive (but reach nothing) and how hard working that I look like (but reach nothing). I guess this is also one of the ways that how we can spend our lives.
*photo credit: @tsj_ts
*special thanks to: @ok_transit exhibition series and its curator @tsj_ts
藍絲絨與水晶, 2023
Transit (18): "phrases in a poem" with Maja Bojanić, nathan c'ha, Elisabeth Gritsch.
The small slope in the space resonates my working patterns in a way, a kind of Sisyphean style. By borrowing the metaphor from Blaustunden that I usually adopt in my work – an overlapped time and space with certain liminal connotations, I would like to set a symbolic scene regarding self-punishment toward some shinning but uncatchable desires. Sometimes I just enjoy how productive (but reach nothing) and how hard working that I look like (but reach nothing). I guess this is also one of the ways that how we can spend our lives.
*photo credit: @tsj_ts
*special thanks to: @ok_transit exhibition series and its curator @tsj_ts
